Camp Salvage Diver Shirt

Pair of green and black First Sergeant (E-8) patches.

Used water bag (Flotation Bladder Collapsible Canteen, 5 Qt). Contract DSA 100-68-C-2742.

Shirt Sleeping man sizing. S.

Used buttstock for M16A1 rifle. First model without cleaning shaft - only with rubber boot. Used condition with no cracks or damage.

Unused forearm for M16A1 rifle.

With more than 1,200 photos, the second volume of this series gets into the heart of the USAF uniforms and equipment used during the Vietnam War. Focusing on hundreds of Air Force named items, the book offers precise insight and references covering a selection of 70+ units. Flight suits, helmets, utility shirts, jungle jackets, plaques, and souvenir lighters are featured together to illustrate the history of these flying and ground units. From the air bases to the mighty B-52s, from the secret missions to the POWs, many aspects of USAF involvement in Southeast Asia are covered in this second volume.

Used trousers (Trousers, Man's, Cotton Wind Resistant, OG 107). Sizes Regular Medium. Contract DSA-100-68-C-1467. Fabric is torn (1x1cm) at the back.

Unused Cap, Utility, Cotton Sateen, OG-107. Size Large. Contract DSA 100-71-C-0497.

Used MACV patch—design with a thin edge.

Unused magazine pouches for M-14 rifle. Different markings, some pieces are without markings.

Minimally used Utility Fighting Knife. Manufacturer Camillus. Brown-black colour.

The Associated Press made an unprecedented commitment to reporting the conflict: It gathered an extraordinary group of superb photojournalists in its Saigon bureau and these men created one of the great photographic legacies of the twentieth century. Collected here are images that tell the human story of the Vietnam War, as we watch the American presence in the war swell from a trickle of military advisers in the late 1950s, through dramatic operations involving thousands of soldiers in the 1960s, to the fall of Saigon in 1975. These are pictures that both recorded and made history, taken by unbelievably courageous photojournalists. In a moving essay, writer Pete Hamill, who reported from Vietnam in 1965, celebrates their achievement, focusing on five masters who took many of the photographs in the book: Horst Faas, Henri Huet, Eddie Adams, Nick Ut, and Phuoc Van Dang.